Reel Bad Arabs: How Hollywood Vilifies a PeopleThis groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged from the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs - from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists" - along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.
Edward Said On Orientalism: "The Orient" Represented in Mass MediaBased on Edward Said's influential book, On Orientalism, this engaging and lavishly illustrated video examines the context within which he conceived the book, as well as his cultural analysis of media representations of the Middle East and Islam. In a post-9/11 world, this video provides an indispensable perspective.
Background Sources
The Oxford History of World Cinema by Geoffrey Nowell-Smith (Editor)From its humble beginnings as a novelty in a handful of cities, cinema has risen to become a billion- dollar industry and the most spectacular and original contemporary art form. It has spread to all parts of the globe, and is enjoyed by audiences that cut across all sections of society. The Oxford History of World Cinema traces the history of this enduringly popular entertainment medium. Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, fromanimation to the Avant-Garde, and from Hollywood to Hong Kong. An international team of distinguished film historians tells the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel; other chapters outline the evolution of national cinemasround the world - the varied and distinctive filmic traditions that have developed alongside Hollywood. A unique aspect of the book are the special inset features on the film-makers and personalities - Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman - who have had an enduring impact inpopular memory and cinematic lore. With over 300 illustrations, a full bibliography, and an extensive index, this is the buff's ultimate guide to cinema worldwide.
Location: Mugar Reference X PN1993.5.A1 O96 1996 and Online
Publication Date: 1996
Arab Filmmakers of the Middle East: a Dictionary by Roy ArmesIn this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than 550 feature films by more than 250 filmmakers, and short and documentary films by another 900 filmmakers, this volume covers the film production in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state-funded productions by isolated filmmakers and politically engaged documentarians. Part 1 lists biographical information about the filmmakers and their feature films. Part 2 details key feature films from the countries represented. Part 3 indexes feature-film titles in English and French with details about the director, date, and country of origin.
Location: Mugar Stacks PN1993.5.A65 A76 2010 and Online
Publication Date: 2010
Encyclopedia of Arab Women Filmmakers by Rebecca Hillauer; Allison Brown (Translator); Deborah Cohen (Translator); Nancy Joyce (Translator)Arab women filmmakers: Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts - and constraints - of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastlydifferent films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries - Egypt, Iraq, Lebanon, Syria, Algeria, among others - fromwhich these artists emerged. In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and socialbackgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For Hillauer, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography.Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women 'model,' one that is far removed from western cliches. Broad in scope, and rich in insight, Arab WomenFilmmakers is a must read for cineastes as well as students of film, feminism, and the Middle East.
Location: Online
Publication Date: 2006
Arab Cinema: History and Cultural Identity (New Revised Edition) by Viola ShafikSince it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history - economic, ideological, and aesthetic - with thought-provoking analysis,Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence onthe medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of "cultural repackaging."Now updated to reflect cultural shifts in the last ten years of cinema, this revised edition contains a new afterword highlighting the latest developments in popular film and in cinema d'auteur (art house movies), with a special focus on Iraq, Lebanon, and Palestine. While exploring problematicissues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decade.
Filming the Modern Middle East : politics in the cinemas of Hollywood and the Arab world by Lina KhatibLina Khatib examines the cinematic depictions of major political issues, from the Arab-Israeli conflict to the Gulf War, to Islamic fundamentalism, looking at films made in the US, in Egypt, Tunisia, Morocco, Lebanon, Syria and Palestine. She explores cinema's role as a tool of nationalism in the US and the Arab world, and the challenges the Arab cinemas present to Hollywood's dominant representations of Middle Eastern politics.
Location: Mugar Stacks PN1993.5.A65 K53 2006
Publication Date: 2006
Roots of the New Arab Film by Roy ArmesRoots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe - Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.
Location: Online
Publication Date: 2018-01-06
New Voices in Arab Cinema by Roy ArmesNew Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.
Location: Online
Publication Date: 2015
Ten Arab Filmmakers : political dissent and social critique by Josef Gugler (Editor)Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world--Algeria, Egypt, Lebanon, Morocco, Palestine, and Syria. Although they have produced many of the region's most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism--theirs is a cinéma engagé. The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman.
Location: Online
Publication Date: 2015
Film Collections
Ethnographic Video Online, Volume I-II: Foundational FilmsThis link opens in a new windowContains classic and contemporary ethnographies, documentaries and shorts from every continent, providing teachers visual support to introduce and contextualize hundreds of cultural groups and practices around the world.
Films in the Boston University Libraries catalog are licensed to Boston University for educational and research use only, for BU students, faculty, and staff.
KanopyThis link opens in a new windowKanopy is a provider of documentaries, training films, and theatrical releases available as streaming video. Clips from the videos can be embedded in presentations or shown in class. Films in the Boston University Libraries catalog are licensed to Boston University for educational and research use only, for BU students, faculty, and staff.
Films in the Boston University Libraries catalog are licensed to Boston University for educational and research use only, for BU students, faculty, and staff.
Academic Video OnlineThis link opens in a new windowAcademic Video Online delivers more than 67,000 titles spanning a range of subject areas including anthropology, business, counseling, film, health, history, music, and more. It includes documentaries, films, demonstrations, and other content types.
Films in the Boston University Libraries catalog are licensed to Boston University for educational and research use only, for BU students, faculty, and staff.