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Collecting Asian Art - selected books
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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris
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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
Location: Mugar Stacks N7337 .C47 2013 -
A Collecting Odyssey: Indian, Himalayan, and Southeast Asian art from the James and Marilynn Alsdorf collection
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One of the finest private collections of Indian, Himalayan and Southeast Asian art in America is owned by James and Marilynn Alsdorf. This catalogue provides an opportunity for individuals other than scholars and specialists to view the works of art.
Location: Stone Science Library Oversize N7300 .P35 1997 -
The China Collectors : America's century-long hunt for Asian art treasures
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**One ofThe Washington Post's Notable Nonfiction Books of 2015** Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen?TheChina Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Mingfurniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Location: Mugar Stacks N7340 .M475 2015 -
East Asian Art and American Culture : a study in international relations
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This is a discussion of the contribution and effects of East Asian art on American culture. Warren Cohen portrays the assembling of the great American collections of East Asian art and explains how this art became part of the cultural consciousness of the people of the USA, transforming their culture into something more complex than the Western civilization brought from Europe. Cohen tells of art collectors, dealers and historians, of museums and curators, of art and imperialism, art and politics, and art as an instrument of foreign policy.
Location: Mugar Library Stacks N7337.C58 1992Publication Date: 1992
Additional Image Sources
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Online Museum Educational Resources on Asian Art (OMuERAA) Comprehensive portal. In cases of broken links, search Google for current websites
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ARTstor This link opens in a new window
ARTstor is a database of images from museums, artists, libraries, colleges and universities, scholars, private collections, and photo archives available for teaching, education, and scholarship, with all images cleared for educational use.
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AskART Academic This link opens in a new windowAskART Academic is a database of information about artists, including names, birth and death dates, state or local affiliation, fields in which artist worked, book and periodical references to artist, dealers and museums where works may be viewed, auction prices of works, and some biographical details.
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Associated Press Newsroom This link opens in a new window
Associated Press Newsroom is a searchable collection of recent and historical news articles, photographs, graphics and audio clips from the Associated Press.
