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Ralph Kirkpatrick: A Bibliography and Discography

Selected Publications – Domenico Scarlatti Scholarship and Kirkpatrick

  • Boyd, Malcolm. Domenico Scarlatti, Master of Music. NY: Schirmer Books, 1987.
  • Boyd, Malcolm. “Nova Scarlattiana.”Musical Times 76 (Oct, 1985): 589-93.
  • Clark, Jane. “Domenico Scarlatti and Spanish Folk Music: A Performer’s Re-Appraisal.” Early Music 4.1 (Jan. 1976): 19-21.
  • Domenico Scarlatti Adventures: Essays to Commemorate the 250th Anniversary of His Death. eds. Massimiliano Sala & W. Dean Sutcliffe. Bologna: UT Orpheus Edizioni, 2008.
  • Domenico Scarlatti: 13 Recherches. Nice:Société de Musique Ancienne de Nice, 1985.
  • Goldberg, Laurette. Domenico Scarlatti Thematic Index According to Ralph Kirkpatrick and Emilia Fadini. Berkeley, CA: MusicSources, 1999.
  • Hammond, Frederick. “Domenico Scarlatti.” In Eighteenth-century keyboard music. ed. Robert L. Marshall. N.Y. Schirmer, 1994: 154-190.
  • Hammond, Frederick. "Ralph Kirkpatrick  "da diverse distanze:." The Man and his Archive."  In Domenico Scarlatti:  musica e storia. Convegno internazionale Domenico Scarlatti, musica e storia (2007:Naples, Italy); Fabris, Dinko; Maione, Paologiovanni, Turchini saggi,  2010: 319-326.  
  • Koster, John. “A Spanish Harpsichord from Domenico Scarlatti’s Environs.” Early Music 39:2 (2011): 245-252.
  • Koster, John. “Towards an Optimal Instrument: Domenico Scarlatti and the New Wave of Iberian Harpsichord Making.” Early Music 35.4 (2007): 575-604.
  • Ogeil, Jacqueline Esther. Domenico Scarlatti: a Contribution to Our Understanding of His Sonatas Through Performance and Research. PhD Dissertation. University of Newcastle, 2006.
  • Pagano, Roberto. Alessandro and Domenico Scarlatti: Two Lives in One. Hillsdale, N.Y. : Pendragon, 2006.
  • Schmalfeldt, Janet. "Domenico Scarlatti, Escape Artist: Sightings of his 'Mixed Style' towards the End of the Eighteenth Century." Music Analysis 38.3 (2019): 253-296.
  • Sheveloff, Joel. “Domenico Scarlatti: Tercentenary frustrations, Part I.The Musical Quarterly 71.4 (1985): 399-436.
  • Sheveloff, Joel. “Domenico Scarlatti: Tercentenary Frustrations, Part II.” The Musical Quarterly 72.1 (1986): 90-118.
  • Sheveloff, Joel Leonard. The keyboard music of Domenico Scarlatti: a re-evaluation of the present state of knowledge in the light of the sources. Dissertation. Brandeis University, 1970.
  • Sheveloff, Joel. Uncertainties in Domenico Scarlatti’s musical language.” Chigiana 40:20 (1985): 143-71.
  • Sutcliffe, W. Dean. The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style. N.Y.: Cambridge University Press, 2003.
  • Sutherland, David. “Domenico Scarlatti and the Florentine Piano.” Early Music 23.2 (May, 1995): 243-246, 249-256.
  • Van Der Meer, John Henry. "The Keyboard String Instruments at the Disposal of Domenico Scarlatti." The Galpin Society Journal 50 (1997): 136-60.

  • Vidali, Carole Franklin. Alessandro and Domenico Scarlatti: a Guide to Research. N.Y.: Garland, 1993.
  • Williams, Peter. ed. Bach, Handel, Scarlatti: Tercentenary Essays. Cambridge : Cambridge University Press, 1985.
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