Related Guides
Classical Tradition
The Oxford Guide to Classical Mythology in the Arts, 1300-1990s by
Daring in concept and astonishing in scope, The Oxford Guide to Classical Mythology in the Arts is a unique reference work: a topically classified chronology of more than 30,000 artworks from circa 1300 to the present day that take as their theme the subjects of Greek and Roman mythology. In more than three hundred major entries, alphabetically arranged by subject, artworks are listed in chronological order, delineating the history of artistic interest in the subject, including painting, sculpture, music, dance, opera, drama, and literature over the last seven centuries. By bringing together information heretofore segregated by discipline, time period, or other constraint, Jane Davidson Reid has created an invaluable tool for the study of the history of the arts in the Western world. Ranging from Achilles to Zeus, entries cover all the important mythic beings of the classical world, from gods, goddesses, and heroes to nymphs, shepherds, and satyrs. A head note to each entry identifies the subject, briefly describes relevant events and episodes recounted in Greek and Roman myths, and explains thematic cross-currents represented in the list of artworks that follows. A list of classical literary sources follows the head note. Each listing of an artwork includes the artist's name, the title of the work, and the date of its creation, publication, or first performance, as appropriate. Also noted are the medium or genre of the work, the present location of works in the fine arts, and other pertinent information. Sources of data on each artwork appear in each listing. Enhanced by a comprehensive system of cross-references, a complete list of the sources of data cited in the listings, and an extensive artist index, which will enable readers to locate works by a given artist across numerous entries, this work presents its vast body of data in a way that is easily accessible to specialist and nonspecialist alike. No other work equals its interdisciplinary scope; no other work matches its usefulness to historians of the arts; and no other work possesses its appeal to scholars, students, and general readers interested in classical mythology and its enduring popularity in Western traditions of artistic expression.
Location: Mugar Reference X NX650.M9 R45 1993
Classical Myths in Italian Renaissance Painting by
This book retraces the development of classical imagery in the visual arts of the Italian Renaissance. Luba Freedman examines poems, letters and treatises on art, which testify to the contemporary desire to depict classical myths in the style and spirit of Ovid's Metamorphoses, and to re-create the artistic patronage of the ancient Romans. This new development in art was driven by collaboration between humanists, artists, and their patrons. The extant artifacts of Roman antiquity, in addition to the study of Greek and Latin texts which brought to light descriptions of ancient paintings, were used as models for re-creating the visual culture of antiquity. Paintings of classical myths that were shaped all'antica, or in the manner of the ancients, allowed humanists to link the modern Rome with its ancient ancestry.
Location: Mugar Stacks ND1422.I8 F74 2011
The Classical Tradition by
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this text, articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, politics, architecture, history, art, religion and science.
Location: Mugar Reference X DE60 .C55 2010
American Arcadia: California and the Classical Tradition by
A vivid and engaging exploration of California's debt to the ancient worldDiscussing the influence of the classics on America is nothing new; indeed, classical antiquity could be considered second only to Christianity as a force in modeling America's national identity. What has never been explored until now is how, from the beginning, Californians in particular chose tovisually and culturally craft their new world using the rhetoric of classical antiquity. Through a lively exploration of material culture, literature, and architecture, American Arcadia offers a tour through California's development as a Mediterranean haven from the late nineteenth century to the present. In its earliest days, California was touted as the last opportunity for alienatedYankees to establish the refined gentleman-farmer culture envisioned by Jefferson and build new cities free of the filth and corruption of those they left back East. Through architecture and landscape design Californians fashioned an Arcadian setting evocative of ancient Greece and Rome.Later, asArcadia gave way to urban sprawl, entire city plans were drafted to conjure classical antiquity, self-styled villas dotted the hills, and utopian communities began to shape the state's social atmosphere. Art historian Peter J. Holliday traces the classical influence primarily through the evidence of material culture, yet the book emphasizes the stories and people, famous and forgotten, behind the works, such as Florence Yoch, the renowned landscape designer and set designer for Gone with the Wind,and "Sister Aimee" Semple McPherson, the most publicized Christian evangelist of her day, whose sermons filled the Pantheon-like Angelus Temple. Telling stories from the creation of the famed aqueducts that turned the semi-arid landscape to a cornucopia of almonds, alfalfa, and oranges to the birthof the body-sculpting movement, American Arcadia offers readers a new way of seeing our past and ourselves.
Publication Date: 2016
Tributes to Pierre du Prey : architecture and the classical tradition, from Pliny to Posterity by
This collction of essays reflects the wide interests of the well-known Canadian architectural historian Pierre du Prey. It comprises 16 essays by friends, colleagues, and students and a postlude by our dedicatee.
Location: Mugar Stacks NA260 .T75 2014
The Classical Tradition: Art, Literature, Thought by
The Classical Tradition: Art, Literature, Thought presents an authoritative, coherent and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole from a classical perspective. Features a unique combination of chronological range, cultural scope, coherent argument, and unified analysis Written in a lively, engaging, and elegant manner Presents an innovative overview of the afterlife of antiquity Crosses disciplinary boundaries to make new sense of a rich variety of material, rarely brought together Fully illustrated with a mix of color and black & white images
Publication Date: 2014
The Classical Tradition in Western Art by Publication Date: 2013
Drawn from the Antique: artists & the classical ideal by Location: Mugar Stacks N8217.A96 A4 2015
Classical Art: A Life History from Antiquity to the Present by
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Publication Date: 2018 online
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