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Background Sources & Research Tools
"Photography," in Grove Art Online
I. Processes and materials.
II. History and influence.
The Oxford Companion to the Photograph
Compiled by an international team of over 140 contributors, this is the first Oxford Companion to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene. Providing a wide range of technical information, the Companion also presents, in a concise and readily accessible form, the mass of recent scholarship on photography as a social and artistic practice.
Glossary of Processing Terms
Each term is illustrated with exhibited objects from “Photographic Exhibitions in Britain, 1839-1865" Records from Victorian Exhibition Catalogues
PhotoSpeak : a guide to the ideas, movements, and techniques of photography, 1839 to the present
PhotoSpeak is the first reference to provide satisfying, easily accessible information not only about the diverse techniques that have been explored since photography was invented more than 150 years ago but also about the ideas and the influences that have been central to those making and interpreting photographs.
Routledge Companion to Photography Theory
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance and purpose.
The Concise Focal Encyclopedia of Photography : From the First Photo on Paper to the Digital Revolution
Defining photography is impossible. Revealing it is another matter, and that's what The Concise Focal Encyclopedia of Photography does, with each turn of the page.
Using Photographs in Social and Historical Research
Sophisticated, original and comprehensive, this book investigates photographic research practices and the conceptual and theoretical issues that underpin them.
Using international case studies and ‘behind the scenes’ interviews, Penny Tinkler sets out research practices and explores the possibilities, and challenges, of working with different methods and photographic sources.
Visual Methods in Social Research
There has been an explosion of interest in visual culture - coming largely from work in sociology, anthropology and cultural studies and while there are a number of practical and technical manuals available for film, photographic and other visual media, there is a dearth of writing that combines both the practical and the technical. This book redresses this with a balanced approach that is written primarily for students in the social sciences who wish to use visual materials in the course of empirical, qualitative field research. It should also be of interest to experienced researchers who wish to expand their methodological approaches. Visual methods provides empirical approaches to both image creation and image analysis, drawing on a wide range of examples: from research conducted on Egyptian television soap opera, to the sale of ethnographic photographs in London auction houses, to pornographic images on the Web. New technologies are also included, with image digitization and computer-based multimedia extensively covered. There are sections on using film and photographic archives, and useful practical advice on publishing and presenting the results of visual research. Marcus Banks stresses the material nature of visual media, as objects that are entangled in social relations and argues for a humanistic, engaged and reflexive approach to social research. This book will be an indispensable guide for the use and study of social images.
History of Photography series