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WR 151 - Gael Garcia Bernal Filmography and Latin America

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This guide provides research resources and information related to

WR151: Gael Garcia Bernal Filmography & Latin America

 

 

 

 

 

 

 

 

Image sources: Creative Common Search - Openverse and Wikimedia.

It includes:

  • Sources of background information, including encyclopedias.
  • Links to books and e-books.
  • Databases for finding articles.
  • Help in citing your sources.

Featured Resources

Screen Studies Collection

A comprehensive survey of current publications related to film scholarship alongside detailed and expansive filmographies. This collection includes the specialist index FIAF International Index to Film Periodicals Database and the detailed and complementary filmographies created by the American Film Institute and the British Film Institute; AFI Catalog and Film Index International.

Digital Hispanica - Cinema Studies

Digitalia Hispánica is a multidisciplinary database of e-resources in Spanish. Digitalia Hispánica contains 21 thematic collections of e-books; e-journals as well as international collection of streaming feature films and documentaries, and ostly films are from Spain or Latin America. The films are n the original language,and some  are dubbed into English or with English subtitles. 

 

 

Student's Guide to Writing College Papers

Turabian's popular guide, the team behind Chicago's widely respected The Craft of Research has reconceived and renewed this classic for today's generation. Designed for less advanced writers than Turabian's Manual of Writers of Research Papers, Theses, and Dissertations, Seventh Edition, Gregory G. Colomb and Joseph M. Williams here introduce students to the art of defining a topic, doing high-quality research with limited resources, and writing an engaging and solid college paper. The Student's Guide is organized into three sections that lead students through the process of developing and revising a paper. Part 1, "Writing Your Paper," guides students through the research process with discussions of choosing and developing a topic, validating sources, planning arguments, writing drafts, avoiding plagiarism, and presenting evidence in tables and figures. Part 2, "Citing Sources," begins with a succinct introduction to why citation is important and includes sections on the three major styles students might encounter in their work - Chicago, MLA, and APA - all with full coverage of electronic source citation. Part 3, "Style," covers all matters of style important to writers of college papers, from punctuation to spelling to presenting titles, names, and numbers." -- Publisher description.

Third cinema in the third world : the aesthetics of liberation

Although Third Cinema began as a movement of, by, and for the colonized, Gabriel argued passionately for its transnationalist possibilities. In his seminal work Third Cinema in the Third World: The Aesthetics of Liberation, for example, he writesthat “the principal characteristic of Third Cinema is really not so much where it is made, or even who makes it, but, rather, the ideology it espouses and the consciousness it displays.” 

The MotorCycle Diaries

 
In January 1952, two young men from Buenos Aires set out to explore South America on an ancient Norton motorbike. The journey would last six months and would take them thousands of miles, all the way up from Argentina to Venezuela. En route there would be disasters and discoveries, high drama, low comedy, fights, parties and a lot of serious drinking. They would meet an extraordinary range of people: native Indians and copper miners, lepers, police, wanderers and tourists. They would become stowaways, firemen and football coaches; they would join in a strike. They would sometimes fall in love, and frequently fall off the motorbike. Both of them kept diaries. One of them was a tall and good-looking medical student called Ernesto Guevara de la Serna. Using the standard Argentinean nickname, others would sometimes refer to the two companions as Big Che and Little Che. In Ernesto's case, the nickname stuck. Within a decade the whole world would know Che Guevara. This is the story of that remarkable journey, eight years before the Cuban revolution, in Che's own words, and illustrated with rare contemporary photographs. For Che it was a formative experience, and amidst the humour and pathos of the tale, there are moving examples of his idealism and his solidarity with the poor and oppressed. But it is far from being the diary of a militant and sometimes very far from being 'politically correct', which may be the reason that the manuscript has only been made available now, a quarter century after Che's death in the Bolivian jungle. Instead it is a vivid record kept by an exuberant, intelligent and acutely observant 23-year-old, describing what might have been the adventure of a lifetime - had his lifetime not turned into a much greater adventure.