A Companion to Latin American Cinema by Stephen M. Hart (Editor); Randal Johnson (Editor); Maria M. Delgado (Editor)A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century. Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture Covers several up-and-coming regions of film activity such as nations in Central America Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists
Location: Online
Publication Date: 2017
Latin American Cinema: A Comparative History by Paul A. Schroeder RodríguezThis book charts a comparative history of Latin America's national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region's cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema's unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.
Location: Online
Publication Date: 2016
Dimensiones Del Latinoamericanismo by Mabel Moraña (Editor)Entre otros, los temas de memoria, testimonialismo, migración, realismo mágico, descolonización, cómics, "nuevo cine" e identidad reciben en este libro un tratamiento nuevo, que incorpora ángulos críticos y teóricos que permiten replantear problemas ya presentes y visualizar aspectos impensados en el corpus siempre abierto del latinoamericanismo contemporáneo. Tales aproximaciones incluyen reflexiones profundas sobre representación simbólica, ejercicios comparativos y análisis ideológicos que dinamizan ese campo de estudios y marcan las rutas académicas e intelectuales que se siguen en la actualidad en los estudios literarios y culturales. Estos artículos constituirán, sin duda, referencia obligada sobre los temas abordados, pero también como ejemplo de metodologías trans-disciplinarias que inscriben la temática latinoamericana en contextos mayores, como los de la literatura mundial, la globalización y los movimientos sociales.
Location: Online
Publication Date: 2018
Las Rupturas Del 68 en el Cine de América Latina by Mariano Mestman; David Oubiña1968 constituye un punto de referencia histórico ineludible del siglo xx. La expresión 68, como indicación de una nueva sensibilidad político-cultural, ha sido estudiada desde diversas disciplinas también para lo cinematográfico. Pero ¿hasta dónde se ha indagado en su significación en América Latina?
Location: Online
Publication Date: 2016
Magical Reels: a history of cinema in Latin America by John KingStill the most comprehensive analysis of the subject to have appeared in English, Magical Reels charts the development of Latin American film industries in a world increasingly dominated by the advanced technology and massive distribution budgets of the North American mainstream. John King sets up a historical framework to unfold the overlapping histories of cinema in the continent: the itinerant film-makers of the silent era who projected their films in cafes and village halls, the inventive use of vernacular music and local comedy in early sound pictures, the "golden age" of 1940s Mexican cinema, and the "new cinema"--oppositional cinema made "with an idea in the head and a camera in the hand"--of the late 1950s and beyond. A country-by-country account of this new wave allows detailed discussion of, for instance, Peronist cinema in Argentina, 1960s' revolutionary film-making in Cuba, state-sponsored cinema in 1970s' Brazil and Venezuela, and the struggle for democratization in Chile in the 1980s. A new chapter written for this edition examines Latin American cinema of the 1990s, raising issues such as globalization, new cinema audiences, film funding and distribution.
Location: Mugar Stacks PN1993.5.L3 K45 2000
Publication Date: 2000
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