Selected Sources
Dillon, Sheila. "Honorific Portraiture." In Handbook of Greek Sculpture, 163-93. Vol. 1. Berlin, Boston: De Gruyter, 2019. by
The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles,the book also revisits the style and the personal contributions of the great masters.
Publication Date: 2019 -- online
Early Greek portraiture : monuments and histories by
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Location: Mugar Stacks NB1296.3 .K44 2017 print
Greek Public Monuments of the Persian Wars by
Dissertation.
Also available from the Center for Hellenic Studies, Harvard University http://nrs.harvard.edu/urn-3:hul.ebook:CHS_WestWC.Greek_Public_Monuments_of_the_Persian_Wars.1965.
Publication Date: 1966 -- online
Ashes, Images, and Memories: The Presence of the War Dead in Fifth-Century Athens by
Ashes, Images, and Memories argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties in fifth-century Athens. In a period characterized by war and the threat of civilstrife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community. While most studies of Athenian public burial have focused on discrete aspects of the institution,such as the funeral oration, this book broadens the scope. It examines the presence of the war dead in cemeteries, civic and sacred spaces, the home, and the mind, and underscores the role of material culture - from casualty lists to white-ground lekythoi - in mediating that presence. This approachreveals that public rites and monuments shaped memories of the war dead at the collective and individual levels, spurring private commemorations that both engaged with and critiqued the new ideals and the city's claims to the body of the warrior.Faced with a collective notion of "the fallen," families asserted the qualities, virtues, and family links of the individual deceased, and sought to recover opportunities for private commemoration and personal remembrance. Contestation over the presence and memory of the dead often followed classlines, with the elite claiming service and leadership to the community while at the same time reviving Archaic and aristocratic commemorative discourses. Although Classical Greek art tends to be viewed as a monolithic if evolving whole, this book depicts a fragmented and charged visual world.
Publication Date: 2014 -- online
Trophies of Victory: public building in periklean athens by
The Greek military victories at Marathon, Salamis, and Plataia during the Persian Wars profoundly shaped fifth-century politics and culture. By long tradition, the victors commemorated their deliverance by dedicating thank-offerings in the sanctuaries of their gods, and the Athenians erected no fewer than ten new temples and other buildings. Because these buildings were all at some stage of construction during the political ascendency of Perikles, in the third quarter of the fifth century, modern writers refer to them collectively as the Periklean building program. In Trophies of Victory, T. Leslie Shear, Jr., who directed archaeological excavations at the Athenian Agora for more than twenty-five years, provides the first comprehensive account of the Periklean buildings as a group. This richly illustrated book examines each building in detail, including its archaeological reconstruction, architectural design, sculptural decoration, chronology, and construction history. Shear emphasizes the Parthenon's revolutionary features and how they influenced smaller contemporary temples. He examines inscriptions that show how every aspect of public works was strictly controlled by the Athenian Assembly. In the case of the buildings on the Acropolis and the Telesterion at Eleusis, he looks at accounts of their overseers, which illuminate the administration, financing, and organization of public works. Throughout, the book provides new details about how the Periklean buildings proclaimed Athenian military prowess, aggrandized the city's cults and festivals, and laid claim to its religious and cultural primacy in the Greek world.
Publication Date: 2016 - online
The Statue of Zeus at Olympia new approaches by
This book began to take shape following a conference on the Statue of Zeus at Olympia held at the University of Queensland in July 2008. In line with the main themes of the conference, the book has two fundamental aims: the first is to recognise the unsurpassed reputation of the Zeus in antiquity, to move beyond the framework provided by the Seven Wonders of the Ancient World, and to treat the famous statue in depth, as befits its unique importance in ancient times; the second aim is to employ a variety of interdisciplinary perspectives in the hope of capturing more accurately than before something of that unique importance. The book is aimed at academic specialists in a variety of disciplines (such as art, archaeology, history, literature, and cultural poetics), though it is also intended to be accessible to undergraduates and certainly to research students. The audience will primarily be one interested in classical antiquity, but there are chapters which trace the story and influence of the Zeus through the Byzantine, Renaissance, and early modern periods, and into more recent centuries in both the northern and southern hemispheres.
Publication Date: 2011 -- online
Sarah Ferrario, "The Tools of Memory: Crafting Historical Legacy in Fourth-Century Greece," in Between Thucydides and Polybius by
Historians like Ephorus, Theopompus, or Aristotle's great-nephew Callisthenes, to say nothing of Xenophon, counted among the most acclaimed in antiquity. But with the exception of Xenophon, their complete works have not survived, and thus they are accessible to the modern reader only in the form of fragments, usually quoted by later authors. The present collection of essays by an international team of scholars focuses on the contribution of these and other fourth-century authors to the development of Greek historiography in terms of form, scope, and methods. Between Thucydides and Polybius sheds light on the interface between historiography and rhetoric, while undermining the claim that historians after Thucydides allowed rhetoric to prevail over research in their reconstructions of the past. Topics discussed in the essays include the use of documents and inscriptions by fourth-century historians, the emergence of the individual as a subject of history, ethnography, and the role of the Persian Empire in the cultural world of the fourth century BCE. Overall, the book offers a reassessment of a crucial phase in Greek historiography that has long lain in the shadow of Thucydides and Polybius.
Location: Mugar Stacks DF211 .B48 2014 printPublication Date: 2014 online
Statues and Cities: honorific portraits and civic identity in the Hellenistic world by
Why say thank you with a portrait statue? This book combines two different and quite specialized fields, archaeology and epigraphy, to explore the phenomenon of portraits in ancient art within the historical and anthropological context of city-states honouring worthy individuals througherecting statues, and the development of families imitating this practice.This transaction tells us a lot about the history of these cities and how ancient art worked as a construction of relations during the Hellenistic period (c. 350 BC- c. AD 1), which is marked by a political culture of civic devotion, common decision making, and publicness.As honorific statues were considered public art, the volume also investigates the workings of images, representations, memory, and the monumental public form of permanent inscription, to see what stories the Hellenistic city-states can reveal about themselves.
Location: Mugar Stacks DF78 .M23 2013Publication Date: 2013 -- online
Faces of Power: Alexander's image and Hellenistic politics by
Alexander the Great changed the face of the ancient world. During his life and after his death, his image in works of art exerted an unprecedented influence?on marbles, bronzes, ivories, frescoes, mosaics, coins, medals, even painted pottery and reliefware. Alexander's physiognomy became the most famous in history. But can we really know what meaning lies behind these images? Andrew Stewart demonstrates that these portraits?wildly divergent in character, quality, type, provenance, date, and purpose?actually transmit not so much a likeness of Alexander as a set of carefully crafted clich??s that mobilize the notion "Alexander" for diverse ends and diverse audiences. Stewart discusses the portraits as studies in power and his original interpretation of them gives unprecedented fullness and shape to the idea and image called "Alexander."
Location: Mugar Stacks DF234.2 .S74 1993
The Alexander Mosaic : stories of victory and defeat by
The Alexander Mosaic: Stories of Victory and Defeat focuses on one of the richest, most complex and visually stunning monuments of classical antiquity. Contributing to a vast tradition of scholarship, which dates back to the discovery of the Mosaic in 1831, Ada Cohen here engages with, but departs from, a core of positivist assumptions that characterize this literature. In this study, she examines the Mosaic as it may have functioned in two different contexts, first as a Greek painting of the fourth century B.C., and then as a Roman mosaic of ca. 100 B.C.
Location: Mugar Stacks NA3770 .C58 1997
Monumental Tombs of the Hellenistic Age: A Study of Selected Tombs from the Pre-Classical to the Early Imperial Era by
Most of the grandiose and often ostentatious Hellenistic monumental tombs were power- fully expressive and symbolic structures, built to glorify and display the wealth and power of kings, queens, nobles, and other persons of influence or to serve as shrines for the worship of the heroized dead. They were inventive in design and form, created to demonstrate the achievements of the dead in a public architecture of permanence and durability. This lavishly illustrated monograph brings together previously scattered information about Hellenistic funerary monuments and Janos Fedak's own research on the exterior architecture of these impressive structures in the Mediterranean region. The author first establishes a typology of main tomb forms and then considers some of the predecessors of the Hellenistic tombs. He explores the variations of form that resulted from differences in climate, building materials, and social and religious customs. Adherence to strong local traditional practice in building is visible in each region, but new ideas and novel funerary architecture were welcomed everywhere in the Hellenistic world. Fedak's wide-ranging approach makes the work of interest not only to specialists in Greek architecture and archaeologists but also to students of classical studies and historians of art and religion.
Publication Date: 1990 -- online
Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I by
Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dağ (c.50 BC) has been undeservedly neglected by scholars. Qualified as a Greco-Persian hybrid instigated by a lunatic king, this fascinating project of bricolage has been written out of history. This volume redresses that imbalance, interpreting Nemrud Dağ as an attempt at canon building by Antiochos I in order to construct a dynastic ideology and social order, and proving the monument's importance for our understanding of a crucial transitional phase from Hellenistic to Roman. Hellenistic Commagene therefore holds a profound significance for a number of discussions, such as the functioning of the Hellenistic koine and the genesis of Roman 'art', Hellenism and Persianism in antiquity, dynastic propaganda and the power of images, Romanisation in the East, the contextualising of the Augustan cultural revolution, and the role of Greek culture in the Roman world.
Publication Date: 2017 -- online
Strategies of Remembering in Greece under Rome (100 BC - 100 AD) by
At the beginning of the first century BC Athens was an independent city bound to Rome through a friendship alliance. By the end of the first century AD the city had been incorporated into the Roman province of Achaea. Along with Athenian independence perished the notion of Greek self-rule. The rest of Achaea was ruled by the governor of Macedonia already since 146 BC, but the numerous defections of Greek cities during the first century BC show that Roman rule was not yet viewed as inevitable. In spite of the definitive loss of self-rule this was not a period of decline. Attica and the Peloponnese were special regions because of their legacy as cultural and religious centres of the Mediterranean. Supported by this legacy communities and individuals engaged actively with the increasing presence of Roman rule and its representatives. The archaeological and epigraphic records attest to the continued economic vitality of the region: buildings, statues, and lavish tombs were still being constructed. There is hence need to counterbalance the traditional discourses of weakness on Roman Greece, and to highlight how acts of remembering were employed as resources in this complex political situation. The legacy of Greece defined Greek and Roman responses to the changing relationship. Both parties looked to the past in shaping their interactions, but how this was done varied widely. Sulla fashioned himself after the tyrant-slayers Harmodius and Aristogeiton, while Athenian ephebes evoked the sea-battles of the Persian Wars to fashion their valour. This interdisciplinary volume traces strategies of remembering in city building, funerary culture, festival and association, honorific practices, Greek literature, and political ideology. The variety of these strategies attests to the vitality of the region. In times of transition the past cannot be ignored: actors use what came before, in diverse and complex ways, in order to build the present.
Location: Theology Library Oversize DF213.5 .S87 2017 print
