Published by Oxford University Press, it is a fully-indexed, cross-searchable database containing dictionaries, language reference and subject reference works.
Helpful for background information on historical events related to Coen brothers' films.
Multidisciplinary database that includes scholarly journals in the physical sciences, technology, medicine, social sciences, the arts, theology, business, literature, and other subjects.
The Coen Brothers Encyclopedia by Lynnea Chapman KingJoel and Ethan Coen have written and directed some of the most celebrated American films of the last thirty years. The output of their work has embraced a wide range of genres, including the neo-noirs Blood Simple and The Man Who Wasn't There, the absurdist comedy Raising Arizona, and the violent gangster film Miller's Crossing. Whether producing original works like Fargo and Barton Fink or drawing on inspiration from literature, such as Charles Portis' True Grit or Cormac McCarthy's No Country for Old Men, the brothers put their distinctive stamp on each film. In The Coen Brothers Encyclopedia, all aspects of these gifted siblings as writers, directors, producers, and even editors--in the guise of Roderick Jaynes--are discussed. Entries in this volume focus on creative personnel behind the camera, including costume designers, art directors, and frequent contributors like cinematographer Roger Deakins and composer Carter Burwell. Recurring actors are also represented, such as Jeff Bridges, Steve Buscemi, George Clooney, John Goodman, Holly Hunter, Frances McDormand, and John Turturro. Each entry is followed by a bibliography of published sources, both in print and online. From Blood Simple to Inside Llewyn Davis, The Coen Brothers Encyclopedia is a comprehensive reference on two of the most significant filmmakers of the last three decades. An engaging examination of their work, this volume will appeal to scholars, researchers, and fans interested in this creative duo.
The Routledge Encyclopedia of Film Theory by Edward Branigan (Editor); Warren Buckland (Editor)The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as 'Apparatus', 'Gaze', 'Genre', and 'Identification', to less well-known and understood, but equally important concepts, such as Alain Badiou's 'Inaesthetics', Gilles Deleuze's 'Time-Image', and Jean-Luc Nancy's 'Evidence'. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.