Upton Sinclair, Oil Sherwood Anderson, Dark Laughter St. John Ervine, The Wayward Man Arthur Train, High Winds Conrad Aiken, Blue Voyage St. John Ervine, The Irishman Bertrand Russell, What I Believe Jim Tully, Circus Parade E. Pettit, Move Over Olive Schreiner, From Man to Man William Faulkner, Mosquitoes Edith Mannin, Pilgrims Robert Corse, Horizon Andre Savignon, The Sorrows of Elsie Carl Van Vechten, Nigger Heaven Leon Feutchtwanger, Power Count Keyserling,Twilight Julia Peterkin, Black April Theodore Dreiser, An American Tragedy H. G. Wells, The World of William Clissold John Dos Passos, Manhattan Transfer Gerard, The Fruit of Eden Ben Hecht, Count Bruga Brock (?)Alister, McAllister, Kink John Gunther, Red Pavillion Claude Anet, Ariane Bourdet, The Captive |
Beverly Nichols, Crazy Pavements |
Robert T. Bushnell, “Banned in Boston.” The North American Review 229 (May 1930): 518-25. (Watch and Ward Society) Mugar Library AP2 .E15
P.D. Kemeny, pp. 133-52 in Giggie, John M., Faith in the market: religion and the rise of urban commercial culture, 2002. Mugar Library BL2525 .F34 2002
Neil Miller. Boston: Beacon Press, 2010.
Publisher’s Weekly 111 (May 28 1927): 2118-2120. Mugar Microforms: Microfilm Z 1219 E72
G.A. Miloradovitch, Bookman 72 (November 1930): 266-9. Mugar Library AP2 E95
K. Schriftglesser, The New Republic 58 (May 8, 1929): 327-9. Mugar Microforms: Microfilm AP2 .F142
Commonweal 12 (October 29, 1930): 656. Mugar Microforms: Microfilm AP 2 F24
Boston, MA: Civil Liberties Union of Massachusetts [1938]. Pamphlet. Pappas Law Rare P96.C46 A75 1938.
Library Journal 54 (May 1, 1929): 411. Mugar Microforms: Microfilm Z671 .E77 Mugar Microforms: Microfilm Z671 .E77
Publishers’ Weekly 139 (April 12, 1941): 1549. Mugar Microforms: Microfilm Z 1219 E72
Nicola Beisel. American Sociological Review 55:1 (February 1990): 44-62.
Charles Capper. American Quarterly 39 (4) (1987): 509-28.
Publishers’ Weekly 148 (October 20, 1945): 1830-1. Mugar Microforms: Microfilm Z 1219 E72
Jonathan B. Voegels. New England Quarterly 72:1 (March 1999): 3-27.
“Richard Sinnott–‘City Censor’ of bluenose Boston,” obituary. Tom Long, Boston Globe, May 2, 2003. “From 1955 until 1982, when the position was eliminated, Mr. Sinnott was chief of the Licensing Division of the city of Boston — but everyone knew him as the “City Censor.” It was his job to view movies, strip acts, rock concerts and other touring shows to determine whether the productions met city standards or would be “Banned in Boston” — a determination that ended their runs in Beantown, but often increased business substantially for their runs in other towns. Some producers avoided being banned, but others sought it.”
Dissertation: University of Michigan, 1990. BU
Paul S. Boyer, in Paul S. Boyer, Purity in Print: The Vice-Society Movement and Book Censorship in America. New York: Charles Schribner’s Sons, 1968. Mugar Library KF 477.F68
Paul S. Boyer, in Paul S. Boyer, Purity in Print: Book Censorship in America from the Gilded Age to the Computer Age. Madison, WI: University of Wisconsin Press, 2002. Pappas Law Annex KF 4775. B69 2002
Boston Globe, August 8, 2010. Includes list of banned books with dustjacket images.
Publishers’ Weekly 146 (November 4, 1944): 1838. Mugar Microforms: Microfilm Z 1219 E72
Literary Digest 93 (April 2, 1927): 31-2.
Paul S. Boyer. American Quarterly 1963 15(1): 3-24. BU (Reproduced with additional primary and secondary source references as “Banned in Boston” in Purity in Print: The Vice-Society Movement and Book Censorship in America. Paul S. Boyer. New York: Charles Scribner’s Sons, 1968 Mugar KF 4775 .F68 and in Purity in Print: Book Censorship in America from the Gilded Age to the Computer Age. Paul S. Boyer. Madison WI: University of Wisconsin Press, 2002 Pappas Law Annex KF4775 .B69 2002).
William T. Matchett, Saturday Review of Literature 27 (July 15, 1944): 6-7+. (Watch and Ward Society) Mugar Microforms: Microfilm AP2 .S273
Publishers’ Weekly 155 (March 26, 1949): 1438. Mugar Microforms: Microfilm Z 1219 E72
J. Mitchell Morse, The New Republic 116 (Janyary 6, 1947): 39-40. Mugar Microforms: Microfilm AP2 .F142
delivered at the annual public meeting of the New England Watch and Ward Society at the Old South Church, Copley Square, Boston, Mass., April 22, 1923. Boston, MA: The Society, 1923, 15 pp. Mugar Library Z658.U5 P47 1923.
“Boston bans sale of ‘Elmer Gantry': will prosecute any who sell Lewis novel under law against ‘indecent and obscene’ books”
New York Times (April 13, 1927): 16.
Publishers’ Weekly 146 (December 23, 1944): 2366. Mugar Microforms: Microfilm Z 1219 E72
Publishers’ Weekly 147 (January 6, 1945): 40. Mugar Microforms: Microfilm Z 1219 E72
Publishers’ Weekly 151 (April 5, 1947) 1905. Mugar Microforms: Microfilm Z 1219 E72
Helena Huntington Smith, The Outlook 149 (June 6, 1928): 214-16.
New York Times (March 13, 1927): 2.
The case for the Boston booksellers, against the present method of enforcing the law against illegal books (House n0. 577), Harold Williams, Jr. Publisher’s Weekly 113 (February 4, 1928): 443-7. Mugar Microforms: Microfilm Z 1219 E72
Publishers’ Weekly 146 (August 12, 1944): 499 (Joseph Stanley Pennell, 1908-1963) Mugar Microforms: Microfilm Z 1219 E72
Publishers’ Weekly 145 (March 25, 1944): 1289. (Lillian Eugenia Smith, 1897-1966) Mugar Microforms: Microfilm Z 1219 E72
Amy Woods, The Survey (1909) 44 (April 17, 1920): 108-9.
“Boston, Mass.–State legislature has passed a bill, backed by opponents of the phot0-play, ‘The Birth of a Nation,’ to vest unlimited powers of play censorship in Boston with the mayor, police comr. and chief justice of the municipal court. An objectionable production can be stopped by a majority vote of the new censors. Formerly censorship was vested in the mayor and police comr., who had power to stop plays of an immoral or obscene nature [Descriptive Statement].” 1915. Source not given. PAIS Archive AN: 1915-5016.
David Brudnoy, National Review 32 (October 3, 1980): 1197-8. Mugar Microforms: Microfilm AP2 .F55
Peter Dreier and Jim Vrabel, Dissent, Spring 2008) “THE IDEA FOR “M.T.A.” came one day when Sam and Arnold Berman were joking about one of the peculiar aspects of the recent fare increase. Although riders of the Boston system were still only charged ten cents to enter underground subway stations, they were now being charged an additional five cents to get off trolleys at aboveground stops. “Arnold and I were saying that if you didn’t have a nickel, then you could never get off the subway and you’d never get home,” Sam Berman recalls.”
W.L. Sperry, The Christian Century 69 (June 11 1952): 702. Theo Periodical C 428
Marl Jane Philips Matz, Opera News 44 (February 23, 1980): 12-14+. Mugar Microforms: Microfilm ML1 .F09
Dissertation: Stanford University, 1953. Citation
The rule applies particularly to feminine acrobats who enter clothed in a profusion of apparel and gradually eliminate, in view of the audience, such clothing as might hinder their actions upon the trapeze. [Descriptive Statement]” Source not given. PAIS Archive AN: 1916-7513
The Nation 127 (December 5, 1928): 593.
New York Times (May 16, 1911) 12.
Daniel M. Doherty. Thesis (M.S.)–Boston University, 1950. Mugar SPR MS 1950 do.
George Kazacoff. Chapter VII: The East, pp. 185-197. “Because of Boston’s tradition of censoring plays, FTP tread lightly in that city to avoid controversy–anything reflecting economic conditions, politics, or the contemporary social scene in a way that would not be ‘traditional.'” Plays discussed: Lucy Stone, 1936; Created Equal, 1938; A Moral Entertainment, 1938. Mugar PN 2270 F43 K39 2011
Interred in concrete: The censorship of Boston’s Old Howard Theatre (Massachusetts), Theresa Lang.
Dissertation: Tufts University, 2004. Abstract
L. K. Ruff. Educational Theatre Journal 26:1 (March 1974) p. 45-52.
New York Times (March 20, 1898): 7. (theatre posters)
“Richard Sinnott–‘City Censor’ of bluenose Boston,” obituary. Tom Long, Boston Globe, May 2, 2003.
“Every Monday when the new shows came to town, Mr. Sinnott would leave his third-floor office in Old City Hall — with the bust of Cardinal Cushing on the desk and the picture of President Kennedy on the wall — and take a leisurely stroll to the Casino or the Old Howard Theater. He would take his customary seat backstage, so he could view the new shows without being seen by the audience, while he made sure the pasties and G-strings were where they ought to be on Lily St. Cyr, Crystal Las Vegas and Angela the Upside Down Girl.”
John D. Anderson, professor, communications, Emerson College; Matthew Chapuran, managing director, Nora Theatre Company; Tom Connolly, professor, English, Suffolk University; Maureen Dezell, arts reporter, Boston Globe. “‘Banned in Boston’ is a theme this city finds hard to shake. This program includes vignettes of censored plays in Boston, beginning with the Puritan censorship of Morton’s May Pole and climaxing with the 1929 banning of Eugene O’Neill’s Freudian theatrical experiment, Strange Interlude. Afterwards, a panel discusses the performances and the ideas of censorship. Though it is not institutionalized, as it was with the ‘Watch and Ward Society’, what form does censorship take today?” WGBH Forum Network, Thursday, May 1, 2003, Old South Meeting House. 24 July2006.
“Tradition behind Bostonian censorship”
W. R. Reardon. Educational Theatre Journal 7:2 (May 1955) p. 97-101.
Excerpt
in Some Newspapers and Newspaper-men. Oswald Garrison Villard. New York: A. A. Knopf, 1926. Mugar Library PN4855 F26.
Gerald J. Baldasty. Journalism History 3 (1976): 25-30, 32.
Publishers’ Weekly 162 (November 1, 1952): 1880. Mugar Microforms: Microfilm Z 1219 E72
Publishers’ Weekly 162 (October 11, 1952): 1634-5. Mugar Microforms: Microfilm Z 1219 E72
E. Weston, The Nation 175 (November 1, 1952): inside cover.
Publishers’ Weekly 162 (October 25, 1952): 1792. Mugar Microforms: Microfilm Z 1219 E72
Lois Purdin, et al. Saturday Review 38 (July 2, 1955): 10. Mugar Microforms: Microfilm AP2 .S273
New York Times (August 14, 1881): 6.
New York Times (March 2, 1901): BR8.
Laurence J. Kipp, Library Journal 77 (November 1, 1952): 1843-6+. (Boston Post) Mugar Microforms: Microfilm Z671 .E77
Library Journal 77 (November 15, 1952): 1942. Mugar Microforms: Microfilm Z671 .E77
Art Digest 21 (December 1, 1946), p. 3. Mugar Library N1 .F26
P. Boswell, Art Digest 16 (April 15, 1942), p. 3. Mugar Library N1 .F26
H. L. Mencken’s history of the “Hatrack” censorship case, ed. Carl A. Bode. Boulder: Roberts Rinehart, 1988. (Reviewed by James Edward Long, Jr. : New England Quarterly 63:3 (September 1990) 514-516 BU)
Eric Longley, 2002. 24 July 2006 (Hatrack case)
Dissertation: University of Illinois at Urbana-Champaign, 1956. BU
B. DeVoto, Harper’s Magazine 188 (May 1944), 525-8. Mugar Microforms: Microfilm AP2 .E50
Scott Donaldson, Studies in American Fiction 19:1 (Spring 1991): 85-93. Mugar Library PS370 .S87
Michael Barry Goodman. Metuchen, N.J.: Scarecrow Press, 1981. Obsenity trial in Boston. Mugar Library KF224.B873 G66
John H. Houchin, Eugene O’Neill Review 22:1-2 (Spring-Fall 1998): 48-62. Mugar Library PS3529 .N5Z639
Jason D. Duberman, American Book Collector 7:5 (May 1986): 3-14.
Dissertation: University of Georgia, 1982. ( Strange Fruit, 1944) BU
Dissertation: Emory University, 1984. (Strange Fruit, 1944) BU
Upton Sinclair, The Nation 124 (June 29, 1927): 713-14.