Related Guides
- Low, Adam, et al. Heart Of Darkness. British Broadcasting Corporation, 2013.Africa seen through the eyes of one of the greatest novelists of the 20th Century, Joseph Conrad. His novel Heart of Darkness has always provoked admiration and controversy and was the inspiration for Coppola's film Apocalypse Now. This video takes a journey up the River Zaire, juxtaposing Conrad's classic tale of empire, madness and obsession with images from the heart of Africa today.
- Academic Video Online This link opens in a new window Academic Video Online delivers more than 67,000 titles spanning a range of subject areas including anthropology, business, counseling, film, health, history, music, and more. It includes documentaries, films, demonstrations, and other content types. Films in the Boston University Libraries catalog are licensed to Boston University for educational and research use only, for BU students, faculty, and staff.
- Ethnographic Video Online, Volume I-II: Foundational Films This link opens in a new window Ethnographic Video Online, Vol. I-II: Foundational Films contains classic and contemporary ethnographies, documentaries and shorts from every continent, providing teachers visual support to introduce and contextualize hundreds of cultural groups and practices around the world.
Featured Resources
Africa Writing Europe: Opposition, Juxtaposition, Entanglement by
Africa Writing Europe offers critical readings of the meaning and presence of Europe in a variety of African literary texts. The first of its kind, it shifts the focus from questions of African identity to readings which delineate ideas of Europe also in texts written specifically in an African context.
Location: Mugar Stacks PL8010 .A348 2009 and OnlinePublication Date: 2009
Envisioning Africa: Racism and Imperialism in Conrad's Heart of Darkness by
On publication in 1899 Heart of Darkness was hailed as an indictment of European imperialism. In recent years it has been denounced as racist and imperialist. Firchow counters these claims by contrasting the meanings of race and imperialism in Conrad's day to those of our own time.
Location: Mugar Stacks PR6005.O4 H47645 2000 and OnlinePublication Date: 1999
Chinua Achebe's Things Fall Apart: 1958-2008 by
Since its publication in 1958, Chinua Achebe's "Things Fall Apart" has won global critical and popular acclaim. Offering a hitherto unlimned picture of a traditional culture, it is both a moving story of the coming of colonialism and a powerful and complex political statement on the nature of cross-cultural encounter. The novel has been immensely influential work as the progenitor of a whole movement in fiction, drama, and poetry focusing on the re-evaluation of traditional cultures and postcolonial tensions. It enjoys a pre-eminent position as a foundational text of postcolonial studies. This collection, originating in a conference held in London to celebrate the fiftieth anniversary of the novel's first publication, opens with a fascinating, insightful, and wide-ranging interview with Achebe. The essays that following explore contemporary critical responses and the novel's historical and cultural contexts. Achebe's influence on the latest generation of Nigerian writers is discussed in essays devoted to Chimamanda Ngozi Adichie. Another essay examines the radical feminist response to the novel in the work of the francophone Algerian writer Assia Djebar, another the illustrations accompanying early editions. Teaching strategies and reader responses to the novel cover Texas, Scotland, and Australia. One measure of the phenomenal worldwide success of "Things Fall Apart "is the fact that it has been rendered into some forty-five languages; accordingly, further contributions offer sharp analyses of the German and Polish translations of the novel. Contributors: Mick Jardine, Dorota Go uch, Waltraud Kolb, Bernth Lindfors, Russell McDougall, Malika Rebai Maamri, Michel Naumann, Chika Okeke-Agulu, Christopher E.W. Ouma, Rashna Batliwala Singh, Andrew Smith, David Whittaker.
Location: OnlinePublication Date: 2011
Encountering Disgrace: Reading and Teaching Coetzee's Novel by
Ever since it was first published in 1999, Nobel laureate J. M. Coetzee's novel Disgrace has provoked controversy. Set in post-apartheid South Africa, it follows Prof. David Lurie as he encounters disgrace through his sexual exploitation of a student and then through the shocking gang-rape of his only daughter. The novel's uncompromising portrayal of the "new" South Africa outraged many, who found the book regressive, even racist. It also challenged readers worldwide to confront its hard questions. This first book of essays devoted to the novel ambitiously brings together criticism and pedagogy. The ten critical essays and eight essays on teaching Disgrace grapple with the ethical issues the novel so provocatively raises: rape, gender, race, animal rights. Disgrace is widely taught in colleges and universities and read in book clubs; the debates it has given rise to will take on fresh life with the release of the upcoming film starring John Malkovich. Unusually, the eighteen contributors to the collection are all faculty members or graduates of the same institution, the Johnston Center for Integrative Studies at the University of Redlands, and have worked together closely in crafting their essays over the past two years. The volume will be exceptionally useful to teachers of literature, philosophy, and South African culture, to book club leaders, and to all readers of Coetzee. Contributors: Nancy Best, James Boobar, Bradley Butterfield, Jane Creighton, Matthew Gray, Pat Harrigan, Gary Hawkins, Rabbi Patricia Karlin-Neumann, Daniel Kiefer, Bill McDonald, Michael G. McDunnah, Kim Middleton, Kevin O'Neill, Raymond Obstfeld, Kathy Ogren, Kenneth Reinhard, Sandra D. Shattuck, Patricia Casey Sutcliffe, Julie Townsend. Bill McDonald is Emeritus Professor of English at the University of Redlands, Redlands, California.
Location: OnlinePublication Date: 2009
Narrating from the Margins: Self-Representation of Female and Colonial Subjectivities in Jean Rhys's Novels by
In Narrating from the Margins, Nagihan Haliloglu casts a discerning look at Jean Rhys's protagonists and the ways in which they engage in self-narration. The book offers a close reading of Rhys's novels, with particular attention to the links between identity construc-tion and self-narration, in a modernist and postcolonial idiom. It draws atten-tion to particular subject-categories that Rhys's protagonists fall into, such as the amateur and the white Creole, and de-lineates narrating personas such as the mad witch and the zombie, to explore aspects of de-essentalization, narrative agency, and dysnarrativia. The way in which Rhys's protagonists engage in self-narration reveals the close link between race and gender, and how both are contained by similar metaphors, or how, indeed, they be-come metaphors for each other. The narrators are defined in relation to their place in the 'holy English family' and how they transgress the rules of that family to become 'exiles'. The study explores the ways in which the self-nar-rator responds when her narrative is ob-structed by society; such as creating a community of stories in which her own makes sense, and/or resorting to third-person narration
Location: OnlinePublication Date: 2011
Librarian
Barbara Maratos
Contact:
Boston University Libraries
bkmarato@bu.edu
bkmarato@bu.edu
Subjects: Language & Linguistics, Literature