Skip to Main Content
Featured Resources
The Memory Effect: The Remediation of Memory in Literature and Film by Russell J. A. Kilbourn (Editor); Eleanor Ty (Editor)
The Memory Effect is a collection of essays on the status of memory--individual and collective, cultural and transcultural--in contemporary literature, film, and other visual media. Contributors look at memory's representation, adaptation, translation, and appropriation, as well as its mediation and remediation. Memory's irreducibly constructed nature is explored, even as its status is reaffirmed as the basis of both individual and collective identity. The book begins with an overview of the field, with an emphasis on the question of subjectivity. Under the section title Memory Studies: Theories, Changes, and Challenges, these chapters lay the theoretical groundwork for the volume. Section 2, Literature and the Power of Cultural Memory/Memorializing, focuses on the relation between literature and cultural memory. Section 3, Recuperating Lives: Memory and Life Writing, shifts the focus from literature to autobiography and life writing, especially those lives shaped by trauma and forgotten by history. Section 4, Cinematic Remediations: Memory and History, examines specific films in an effort to account for cinema's intimate and mutually constitutive relationship with memory and history. The final section, Multi-Media Interventions: Television, Video, and Collective Memory, considers individual and collective memory in the context of contemporary visual texts, at the crossroads of popular and avant-garde cultures.
Call Number: Online
Publication Date: 2014
Our Faithfulness to the Past: The Ethics and Politics of Memory by Sue Campbell; Christine M. Koggel (Editor); Rockney Jacobsen (Editor)
This volume brings together essays -- three of them previously unpublished -- on the epistemology, ethics, and politics of memory by the late feminist philosopher Sue Campbell. The essays in Part I diagnose contemporary skepticism about personal memory, and develop an account of good remembering that is better suited to contemporary (reconstructive) theories of memory. Campbell argues that being faithful to the past requires both accuracy and integrity, and is both an epistemic and an ethical achievement. The essays in Part II focus on the activities and practices through which we explore and negotiate the shared significance of our different recollections of the past, and the importance of sharing memory for constituting our identities. Views about self, identity, relation, and responsibility (all influenced by traditions in feminist philosophy) are examined through the lens of Campbell's relational conception of memory. She argues that remaining faithful to our past sometimes requires us to re-negotiate the boundaries between ourselves and the collectives to which we belong. In Part III, Campbell uses her relational theory of memory to address the challenges of sharing memory and renewing selves in contexts that are fractured by moral and political difference, especially those arising from a history of injustice and oppression. She engages in detail Canada's Indian Residential Schools Truth and Reconciliation Commission, where survivor memories have the potential to illuminate the significance of the past for a shared future. The study of memory brings together philosophers, psychologists, historians, anthropologists, legal theorists, and political theorists and activists. Sue Campbell demonstrates a singular ability to put these many different areas of scholarship and activism into fruitful conversation with each other while also adding an original and powerful voice to the discussion.
Call Number: Online
Publication Date: 2014
Objects of the Dead: Mourning and Memory in Everyday Life by Margaret Gibson
What is the fate of objects after a death-a daughter's hairbrush, a father's favourite chair, an aunt's earrings, a husband's clothes? Why do some things stay and some go from our lives and memories? Objects of the Dead examines a poignant and universal experience-the death of a loved one and the often uneasy process of living with, and discarding, the objects that are left behind. How and when family property is sorted through after a death is often fraught with difficulties, regrets and disagreements. Through personal stories, literature, film and memoir Margaret Gibson reveals the power of things to bind and undo relationships. This is a remarkable reflection on grieving-of both saying goodbye and living with death.
Call Number: Online
Publication Date: 2008
Family Narratives and the Development of an Autobiographical Self by Robyn Fivush
Stories are central to our world. We form our families, our communities, and our nations through stories. It is through stories of our everyday experiences that each of us constructs an autobiographical self, a narrative identity, that confers a sense of coherence and meaning to our individual lives. In this volume, Robyn Fivush describes how this deeply personal autobiographical self is socially and culturally constructed. Family Narratives and the Development of an Autobiographical Self demonstrates that, through participating in family reminiscing, in which adults help children learn the forms and functions of talking about the past, young children come to understand and evaluate their experiences, and create a sense of self defined through individual and family stories that provide an anchor for understanding self, others, and the world. Fivush draws on three decades of research, from her own lab and from others, to demonstrate the critical role that family stories and family storytelling play in child development and outcome. This volume is essential reading for students and researchers interested in psychology, human development, and family studies.
Call Number: Online
Publication Date: 2019
War Memories : Commemoration, Recollections, and Writings on War by Stéphanie A. H. Bélanger (Editor); Renée Dickason (Editor); Stéphanie A. H. Bélanger (Editor)
War Memories explores the patchwork formed by collective memory, public remembrance, private recollection, and the ways in which they form a complex composition of observations, initiatives, and experiences. Offering an international perspective on war commemoration, contributors consider the process of assembling historical facts and subjective experiences to show how these points of view diverge according to various social, cultural, political, and historical perspectives. Encompassing the representations of wars in the English-speaking world over the last hundred years, this collection presents an extensive, yet integrated, reflection on various types of commemoration and interpretations of events. Essays respond to common questions regarding war memory: how and why do we remember war? What does commemoration tell us about the actors in wars? How does commemoration reflect contemporary society's culture of war? War Memories disseminates current knowledge on the performance, interpretation, and rewriting of facts and events during and after wars, while focusing on how patriotic fervour, resistance, conscientious objection, injury, trauma, and propaganda contribute to the shaping of individual and collective memory. Contributors include Joan Beaumont (Australian National University, Canberra), Gilles Chamerois (University of Brest, France), Subarno Chattarji (University of Delhi, India), Nicole Cloarec (Rennes 1 University, France), Corinne David-Ives (European University of Brittany - Rennes 2, France), Jeffrey Demsky (San Bernardino Valley College, California), Sam Edwards (Manchester Metropolitan University), Georges Fournier (Jean Moulin University, France), Annie Gagiano (University of Stellenbosch, South Africa), David Haigron (Rennes 2 University, France), Judith Keene (University of Sydney, Australia), Melissa King (San Bernardino Valley College, California), Christine Knauer (Eberhard Karls University Tübingen, Germany), Liliane Louvel (University of Poitiers), Michelle P. Moore (Canadian Army Doctrine and Training Centre, Kingston, Ontario), John Mullen (University of Rouen, France), Lorie-Anne Duech-Rainville (Caen University, France), Elizabeth Rechniewski (Australian Research Council Discovery Project), Raphaël Ricaud (University 'Paris Ouest Nanterre La Défense', France), Laura Robinson (Royal Military College of Canada), and Isabelle Roblin (Université du Littoral-Côte d'Opale, France).
Call Number: Online
Publication Date: 2017
Memory
Memories make us who we are. But how does the memory process actually work – and is there anything we can do to improve it? Actor and writer Maureen Lipman is a collector of memories – whether in her bestselling books or in her head. But she’s worried about her memory – she witnessed her father permanently losing his short-term memory after an operation. In this warm and entertaining programme Maureen takes us on a journey to understand more about how memory works.
Brainwave Memory.The Madeleine Syndrome
Proust's evocation of childhood conjured by the tasting of the scalloped madeleine has become the template for remembrance of things past. But why does taste bring forth memories of such emotional power? Gourmand Ruth Reichl seeks to analyze our taste buds with psychologist Paul Rozin, who returns to Brainwave after his conversation with chef Mario Batali in Brainwave 2009.
Brainwave Memory. Based On a True Story
Nick Flynn's memoir about his encounter with his absentee father in a Boston homeless shelter, Another Bullshit Night in Suck City, won the PEN/Martha Albrand Award for the Art of the Memoir in 2006. With psychologist William Hirst, an expert in trauma and collective and autobiographical memory, Flynn explores the degrees of truth in a memoir remembered.